Named a laureate of the Musique Antique Competition in Bruges (2024), Charlotte combines her passion on early 19th-century music and historical instruments, and actively performs in Canada, the United States and Europe. Recent highlights include a residency at the Banff Centre, a fellowship at the Gilmore Piano Festival, as well as performances at the conferences of the Historical Keyboard Society of North America and the Westfield Center for Historical Keyboard Studies.
Charlotte is mentored by Prof. Elisabeth Wright and Dr. David Breitman on the historical piano, and has worked with James Parker, Marietta Orlov, Roberto Plano and Jeffrey Cohen on the modern piano. As a doctoral candidate in Piano Performance at the University of Toronto, her research studies the interactions between Schubert’s pedal indications and his soft dynamics.
Charlotte's doctoral studies have been generously support by the the Alberto Guerrero Graduate Piano Scholarship, Dina and Hosie Austin Graduate Piano Fellowship and the Nour Private Wealth Award. She regularly attends prestigious music festivals and workshops, and have been coached by Malcolm Bilson, Andrew Willis, Audrey Axinn, Maria Rose, Tuija Hakkila, Elizaveta Miller and Mike Lee on the historical piano; and on the modern piano, MÅ«za RubackytÄ—, Paul Lewis, Eric la Sage, Ronan O’Hora, Megumi Masaki, Anton Nel, Rebecca Penneys, André Laplante, Logan Skelton, John Perry, Marina Lomazov and Ian Hobson, among others. ​